Solo Repertoire
Dr Mimoza Keka presents a wide-ranging and stylistically nuanced solo repertoire spanning music from the Baroque period to the twentieth and twenty-first centuries. Her recital programmes are dramaturgically conceived and flexibly adapted to the concert format, venue, audience and artistic focus.
A defining aspect of her artistic work is the design of programmes as coherent musical narratives rather than a mere sequence of individual works. Sound, structure and transformation form the core of her interpretative approach.
Programme Lines & Concepts
From Shadows to Light
A programme concept that runs through various recital formats. Works – particularly by Franz Liszt, alongside repertoire from related periods – are combined to create a clearly perceptible dramaturgical arc: from inner density and tension towards clarity, resonance and formal transparency.
This concept is suitable both for traditional recital programmes and for contextual formats such as lecture-recitals, serving as a unifying framework for diverse repertoire selections.
Non-Fungible Project
A recital project that deliberately juxtaposes contrasting musical languages without stylistic homogenisation. Works from different periods enter into a structural and sonic dialogue, allowing each composition to emerge as a distinct, non-interchangeable artistic statement.
The programme is conceived in a modular form and may be expanded or adapted depending on context. It includes works by J. S. Bach, A. Scriabin, S. Barber and Maurice Ravel, among others.
Repertoire
Dr Mimoza Keka’s solo repertoire includes works by J. S. Bach, L. van Beethoven, F. Schubert, F. Chopin, F. Liszt, S. Rachmaninov, A. Scriabin, C. Debussy, M. Ravel, S. Prokofiev, as well as contemporary composers.
Programmes may be presented as traditional recitals, thematically curated evenings or within specially designed concert formats.
For a complete repertoire list or for the individual design of programmes for concert series, festivals or special formats, please contact Dr Mimoza Keka directly.
Piano concertos
Johan Sebastian Bach
KEYBOARD CONCERTO in D Minor BWV 1052
Camille Saint-Saëns
PIANO CONCERTO NO. 2
PIANO CONCERTO NO. 5
Franz Liszt
PIANO CONCERTO NO.2
Pyotr Ilyich Tchaikovsky
PIANO CONCERTO NO.2
Benjamin Britten
PIANO CONCERTO OP.13
Chamber music Piano four hands and two pianos
Antonin Dvorak
Slavonic Dances op. 72 (primo), for piano four hands
Arrangement for piano four hands from the Gypsy Songs: Songs my mother taught me (primo)
Astor Piazzolla
Oblivion (primo) for piano four hands
Libertango (primo) for piano four hands
Adios Nonino (primo) for piano four hands/ two pianos
Bach/Kurtag
Gottes Zeit ist die allerbestes Zeit, for piano four hands
Claude Debussy
Petite Suite (secondo), for piano four hands
Six Epigraphes Antiques (secondo), for piano four hands
Fetes from Trois Nocturnes, (primo) transcription for two pianos
Camille Saint-Saens/ Claude Debussy
Introduction et Rondo (secondo) transcription for two pianos
Camille Saint-Saens
Dance Macabre, (primo) transcription for two pianos
Carnaval des Animaux, (primo) for 2 Pianos and Orchestra
Darius Milhaud
Scaramouche, (primo) transcription for two pianos
Edward Elgar
Salut d’amour (secondo), for piano four hands
Franz Schubert
Fantasy in F minor (secondo), for piano four hands
Andantino Varie (primo), for piano four hands
Franz Liszt
Hungarian Rhapsody no. 2 (secondo), for piano four hands
Francis Poulenc
Sonata for piano four hands (primo), for piano four hands
G. Gershwin
Rhapsody in Blue for piano Four Hands
Johannes Brahms
Hungarian Dances 1,2,3,4,5 (primo), for piano four hands
L. V. Beethoven
5th Symphony for piano four hands
Maurice Ravel
Spanish Rhapsody (primo), for piano four hands/ two pianos
P. I. Tchaikovsky/S.Rachmaninoff
Suite op. 66a from the Sleeping Beauty Ballet (secondo)
Sergei Rachmaninoff
Six Morceaux (secondo), for piano four hands
Suite no. 1 op. 5 (primo) for two pianos
Sergio Calligaris/P.I.Tchaikovsky
Parafrasi da concerto sul valzer dal primo atto del balletto “Il Lago dei Cigni” di P. I. Tchaikovsky (secondo)
W. A. Mozart
Sonata for piano four hands in D major KV. 381 (primo)
Sonata for piano four hands KV. 521 (primo)
Other Chamber Music Repertoire
Francis Poulenc
Sonata for Clarinet and Piano
Paul Creston
Sonata for Saxophone and Piano
Jean Francaix
5 Exotic Dances for Saxophone
Opera Studio/ Vocal repertoire
Antonin Dvorak
Gypsy Melodies (cycle)
Claudio Monteverdi
L’Incoronazione di Poppea “Pur ti miro”
Emmerich Kalman
Die Czardasfurstin
Franz Lehar
Die lustige Witwe
Franz Schubert
Die Schöne Müllerin: Das Wandern
Gaetano Donizetti
Lucy of Lammermoor: Act II Finale “Chi mi frena in tal momento?”
G.F.Handel
Ariodante: Dite spera e son contento
Giovanni Battista Pergolesi
Stabat Mater
Giuseppe Verdi
La traviata: “Parigi, o cara”
Rigoletto: Un di se ben rammentomi
Jacques Offenbach
Les contes d’Hoffmann: Chanson de Giulietta; Barcarolle
J. S. Bach
Kantate, BWV 78: ”Jesu, der du meine Seele”
Hohe Messe in H moll
Passion of St. Matthew
Kantate, BWV 82 “Ich habe genug”
Johann Strauß
Die Fledermaus: Operette in drei Aufzügen
Jules Massenet
Werther: Pourquoi me reveiller
Leo Delibes
Les filles de Cadix
Ludwig van Beethoven
Lebens-Genuss Duet
Manuel De Falla
7 Canciones populares Espanolas
Nikolay Rimski Korsakov
4 Romances op. 2 no 2: Eastern Song – The nightingale and the rose
Pyotr Ilich Tchaikovsky
Eugene Onegin: Tatiana and Olga Duet
Pique Dame: Duet Chloe und Daphnis
I should like in a single word
R. Tosti
A vucchella
V. di Chiara
La Spagnola
Vincenzo Bellini
I Capuleti e I Montecchi: Scena e Duetto Scena V Giulietta e Romeo “Si fuggire a noi non resta”
W.A.Mozart
The Magic Flute: Akt I no. 1 Introduktion –„Stirb un geheur durch unsre Macht“; Pamina and Papageno Duet „Bei männern welche Liebe fühlen“;
Le nozze di Figaro: Aria di Susanna ”Deh vieni non tardar”; “Non so pio cosa son”; “Aprite presto aprite”; “Susanna or via sortite”; Cinque…dieci…venti”; “ Sull’aria? Che soave zeffiretto”;
Die Entführung aus dem Serail: Belmonte Aria
Cosi fan tutte: „Ah.. Guarda Sorella..’’ Act II Dorabella and Fiordiligio “Prendero quell brunettino”; “Soave sia il vento”
Don Giovanni: “La ci darem la mano“