Mimoza Keka is a classical pianist whose work moves between solo recital, chamber music, collaboration and research. Her interpretations have been noted for imaginative depth, technical command and a directness of expression, shaped across repertoire that reaches from Baroque architecture to contemporary sound worlds.

She completed her doctoral degree in Musical Arts at the age of 26 with the dissertation “The Use of Digital Technologies in Quantitative Analysis of Piano Performance,” an interdisciplinary study on how timing, sound and touch shape interpretation. This research runs in parallel with her performing life, including programmes that featured premiere performances of Samuel Barber’s Sonata Op. 26, Maurice Ravel’s Miroirs and Leoš Janáček’s In the Mists.

Mentored by Maestra Lilya Zilberstein and refined through international festivals such as Siena Summer Festival, Ohrid Summer Festival and Golden Lyre, she has performed across Europe and in New York City. She has collaborated with orchestras and conductors including Sasha Nikolovski‑Gjumar (Saint‑Saëns: Piano Concerto No. 2), and curates international solo and chamber projects. Her recent artistic activities include a moderated concert with her Liszt program “From Shadows to Light” at the Bayerische Musikakademie Schloss Alteglofsheim (2026), a recital in the Johannissaal of Schloss Nymphenburg in Munich (2026), as well as her appointment as a jury member of the Munich Piano Competition 2026. In 2022 she released her recording Non‑Fungible (Bach · Scriabin · Barber) and continues her work from Munich as performer, researcher and educator.