RESEARCH & PUBLICATION

The Use of Digital Technologies in Quantitative Analysis of Piano Performance

Research at the intersection of piano performance, analysis and digital technology

This book is based on Mimoza Keka’s doctoral dissertation and explores how digital technologies can be used for the quantitative analysis of piano performance.

At the centre of the research is the question of how interpretative decisions – including timing, dynamics, articulation and touch – can be captured, structured and analysed through MIDI, audio and video recordings. The study combines musicological analysis with the perspective of the performing pianist.

Quantitative Analysis of Piano Performance

The study develops a methodological model for the quantitative investigation of piano performance. Alongside a historical overview of theories of piano playing and musical interpretation, it examines the use of digital technologies in music research and their potential for the analysis of performance practice.

The research methodology includes the collection and processing of data from MIDI, audio and video recordings, the development of an appropriate data structure and the analysis of different interpretative parameters.

Parameters Examined

Tempo & Agogics

Analysis of temporal shaping and interpretative fluctuations in tempo.

Dynamics

Examination of dynamic development and its relationship to musical structure.

Articulation & Touch

Analysis of pianistic differentiation and its realization in sound.

Structure & Musical Development

Examination of metric-rhythmic, intervallic and melodic relationships.

Musical examples, graphical representations and visualisations of audio and spectral data complement the analytical discussion.

From Dissertation to Publication

The research was developed as part of Mimoza Keka’s doctoral studies in Musical Arts at Ss. Cyril and Methodius University in Skopje.

The English-language publication makes the research accessible to an international readership of pianists, music educators, students and researchers, particularly those interested in piano interpretation, performance analysis and digital research methods.

Academic Evaluation

The research represents a significant development in piano theory and opens new perspectives for further study in piano theory and piano pedagogy.

Prof. Mr. art. Todor Svetiev
Professor of Piano · Ss. Cyril and Methodius University in Skopje

The research and its methodology offer a distinctive approach to the study of piano performance through the use of digital technologies.

Prof. PhD. Dimitrije Buzharovski
Professor of Musicology · Ss. Cyril and Methodius University in Skopje

The structure and content of the work demonstrate a high academic standard and provide a valuable point of reference for future researchers.

Prof. Dr. art. Marija Gjoshevska
Professor of Piano · Ss. Cyril and Methodius University in Skopje

The study is particularly relevant to performing pianists, introducing a new approach to the analysis of dynamics, tempo and agogics.

Prof. Dr. art. Emilija Potevska Popivoda
Professor of Piano · Goce Delčev University in Štip

The research is distinguished by its interdisciplinary approach, connecting musical interpretation with digital methods of analysis.

Prof. Dr. sc. Trena Jordanoska
Professor of Musicology · Ss. Cyril and Methodius University in Skopje
The Use of Digital Technologies in Quantitative Analysis of Piano Performance – Mimoza Keka

The Use of Digital Technologies in Quantitative Analysis of Piano Performance

English-language edition

The publication examines the quantitative analysis of piano performance through digital technologies, bringing together theoretical, methodological and interpretative perspectives.

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